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  • Own Voice

Rocks at Whiskey Trench

Director Alanis Obomsawin (Abenaki)
Year 2000
Run Time 105min
Genre Documentary, Drama

On August 28, 1990, in the midst of the Oka crisis, dozens of cars were driven from the Mohawk community of Kahnawake over Montreal’s Mercier Bridge, where an angry mob met them with violence — and rocks. Obomsawin’s documentary gives the Mohawk rebels a voice.

Director

Alanis Obomsawin (Abenaki)

Legendary Abenaki filmmaker Obomsawin has made over 50 documentaries on issues affecting Indigenous peoples in Canada, including Kanehsatake: 270 Years of Resistance, Trick or Treaty?, Is the Crown at War with Us?, Our People Will Be Healed and Jordan River Anderson, The Messenger. Her most recent film is the short documentary Honour to Senator Murray Sinclair. Next, she is set to appear in an episode of Marie Clements’ Bones of Crows: The Series.

Writer

Alanis Obomsawin (Abenaki)

Producer

Alanis Obomsawin (Abenaki)

Genres

Documentary, Drama

Interests

BIPOC Stories, Environment, Female Filmmaker, Global Experiences, History, Indigenous Filmmaker, Social Justice & Politics

Original Language

English

Language Versions

EN CC, FR Dub, FR Subtitles

Canadian Distributor

National Film Board (NFB)

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Reel Injun

Director Neil Diamond (Cree)
Year 2009
Run Time 86min
Genre Documentary
Reel Injun is an enlightening documentary about the way Indigenous people have been depicted in film from the silent era to the present day.

Director Neil Diamond takes the audience on a trip through time to explore the history of the “Hollywood Indian” and offers a refreshing, candid and personal analysis, tracing how these cinematic images have shaped and influenced the understanding of Indigenous culture and history.

“Impeccably well researched and crafted, Reel Injun neatly walks the line in balancing entertainment and education.” — Todd Brown, Twitch Film

Director

Neil Diamond (Cree)

Cree filmmaker Diamond is known for several award winning documentaries that focus on Indigenous life and issues. His debut film, Cree Spoken Here, garnered the Telefilm/APTN award for Best Aboriginal Documentary. His most recent film was Inuit Cree Reconciliation with filmmaker Zacharias Kunuk and he is currently directing the documentary Red Fever.

Writers

Catherine Bainbridge, Neil Diamond (Cree), Jeremiah Hayes

Cast

Jesse Wente

Producers

Catherine Bainbridge, Linda Ludwick, Christina Fon

Genre

Documentary

Interests

Arts and Culture, BIPOC Stories, Discrimination, Global Experiences, History, Indigenous Filmmaker, Social Justice & Politics

Original Language

English

Language Versions

EN CC, FR Subtitles

Canadian Distributor

Mongrel Media

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Atanarjuat: The Fast Runner

Director Zacharias Kunuk (Inuk)
Year 2001
Run Time 172min
Genre Drama
Based on an ancient Inuit legend, Atanarjuat is an epic tale of love, betrayal and revenge. The beautiful Atuat (Ivalu) has been promised to the short-fused Oki (Arnatsiaq), the son of the tribe’s leader. However, she loves the good-natured Atanarjuat (Ungalaaq), a fast runner and excellent hunter. When Atanarjuat is forced to battle the jealous Oki for Atuat’s hand, the events that follow determine not only his fate, but that of his people. Atanarjuat won 20 awards, including eight Genies and the Caméra d’Or at the 2001 Cannes Film Festival.

“I am not surprised that The Fast Runner has been a box office hit in its opening engagements. It is unlike anything most audiences will have ever seen, and yet it tells a universal story.”
— Roger Ebert, Chicago Sun-Times

Director

Zacharias Kunuk (Inuk)

In 2015, Atanarjuat was selected as TIFF’s number one Canadian film of all time. Kunuk has directed shorts such as Exile and Home and features such as Maliglutit, which won the CSAs for best film and screenplay. He recently directed the series Hunting With My Ancestors and executive produced SGaawaay K'uuna (Edge of the Knife). His latest feature, One Day in the Life of Noah Piugattuk, premiered at TIFF 2019. Most recently, he directed the short The Shaman’s Apprentice, which won the CSA for Best Animated Short among other awards at festivals worldwide.

Writer

Paul Apak Angilirq (Inuk)

Cast

Peter-Henry Arnatsiaq (Inuk), Lucy Tulugarjuk (Inuk), Natar Ungalaaq (Inuk), Sylvia Ivalu (Inuk)

Producers

Paul Apak Angilirq (Inuk), Norman Cohn, Zacharias Kunuk (Inuk), Germaine Ying Gee Wong

Genre

Drama

Interests

BIPOC Stories, Classics, Family Relationships, Indigenous Filmmaker

Original Language

Inuktitut

Language Versions

EN Subtitles, FR Subtitles

Canadian Distributor

Vtape/Criterion

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Angelique’s Isle

Directors Marie-Hélène Cousineau, Michelle Derosier (Anishinaabe)
Year 2018
Run Time 90min
Genre Drama

In the midst of the 1845 mining boom on the shores of Lake Superior, newlywed Anishinaabe woman Angelique (Julia Jones) agrees to accompany her voyageur husband on a copper expedition. Left by the rest of the crew to guard a large discovery on a remote island, the couple must survive for weeks dealing with the harsh winter conditions and a quickly dwindling food supply.

As hunger sets in, Angelique – a devout Christian – struggles with her faith and must rely on the teachings she received from her grandmother in order to survive. A testament to the strength and resilience of Indigenous women, Angelique’s Isle also stars Tantoo Cardinal and Aden Young.

Based on the novel Angelique Abandoned by James R. Stevens and the true story of 17-year-old Angelique Mott, Angelique’s Isle is a beautiful and harrowing true tale of perseverance and survival.

Directors

Marie-Hélène Cousineau, Michelle Derosier (Anishinaabe)

Writers

Michelle Derosier (Anishinaabe), James R. Stevens

Cast

Julia Jones (Choctaw/Chickasaw), Tantoo Cardinal (Cree/Métis), Aden Young, Charlie Carrick

Producers

Michelle Derosier (Anishinaabe), Amos Adetuyi, Dave Clement, Floyd Kane

Genre

Drama

Interests

Biography, BIPOC Stories, Female Filmmaker, History, Indigenous Filmmaker, Literary Adaptation

Original Language

English

Language Version

EN CC

Canadian Distributor

levelFILM

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Birth of a Family

Director Tasha Hubbard (Cree)
Year 2016
Run Time 79min
Genre Documentary
Four siblings, adopted as infants into separate families across North America, meet for the first time in this deeply moving documentary. 

Between 1955 and 1985, the federal and provincial governments in Canada took an estimated 20,000 Indigenous children from their homes and placed them in the child welfare system. Often referred to as the Sixties Scoop, this policy was part of the same trend of forced assimilation as residential schools.

Betty Ann was one of these children, and over several decades has worked tirelessly to track down her three siblings. As the foursome piece together their shared history, their family begins to take shape. 

This film tackles grief, redemption and discovery as it chronicles the family’s emotional reunion and captures an event that remains painfully elusive for many Indigenous people.
 
 

Director

Tasha Hubbard (Cree)

Hubbard is an award-winning filmmaker and an assistant professor in the University of Saskatchewan’s Department of English. Her writing-directing project Two Worlds Colliding won a Gemini and a Golden Sheaf Award. She has also directed the short film 7 Minutes, and the feature docs Birth of a Family and nîpawistamâsowin: We Will Stand Up, which won Best Canadian Documentary at Hot Docs and at the CSAs. She is currently directing the feature doc Singing Back the Buffalo.

Writers

Betty Ann Adam (Dene), Tasha Hubbard (Cree)

Producer

Bonnie Thompson

Genre

Documentary

Interests

Biography, BIPOC Stories, Discrimination, ESL, Family Relationships, Female Filmmaker, History, Indigenous Filmmaker, Social Justice & Politics, Strong Female Leads

Original Language

English

Canadian Distributor

National Film Board (NFB)

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Red Snow

Director Marie Clements (Métis/Dene)
Year 2019
Run Time 100min
Genre Action/Adventure, Drama

This powerful drama follows Dylan (Asivak Koostachin), a Gwich’in soldier from the Canadian Arctic, who is caught in an ambush while serving in Afghanistan. His capture and interrogation by a Taliban Commander releases a cache of memories connected to the love and death of his Inuit cousin, Asana (Miika Bryce Whiskeyjack), and binds him closer to a Pashtun family as they attempt to escape across treacherous landscapes.

Director

Marie Clements (Métis/Dene)

Clements works within a variety of mediums including film, television, radio, and live performance. Her work has screened at Cannes, TIFF, MOMA, VIFF, American Indian Film Festival and imagineNATIVE, and has garnered numerous awards. Her films include the musical documentary The Road Forward and Red Snow, her dramatic debut. She is currently directing the TV show Bones of Crows.

Writer

Marie Clements (Métis/Dene)

Cast

Asivak Koostachin (Cree/Inuk), Tantoo Cardinal (Cree/Métis), Miika Bryce Whiskeyjack (Cree)

Producers

Marie Clements (Métis/Dene), Lael McCall, Michelle Morris, Jonathan Tammuz

Genres

Action/Adventure, Drama

Interests

Female Filmmaker, Global Experiences, Indigenous Filmmaker

Original Language

English

Language Version

EN CC

Canadian Distributor

Vortex Media

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Rustic Oracle

Director Sonia Bonspille Boileau (Mohawk)
Year 2019
Run Time 101min
Genre Drama
When her older sister vanishes from their Mohawk community, eight year-old Ivy (Delisle) joins her mother Susan (Moore) in a desperate search that lays bare the authorities’ indifference towards missing Indigenous Women and Girls.

Ivy and Susan’s journey to find answers is one that no family should go through, but their shared hope helps mother and daughter come together in love amongst difficult circumstances. Filmmaker Sonia Bonspille Boileau brings warmth and grace to this delicate depiction of a young girl forging a strong sense of identity while also contending with family tragedy. 

Director

Sonia Bonspille Boileau (Mohawk)

Bonspille Boileau is a Mohawk filmmaker who was raised between Oka and Kahnesatake. She has developed and produced television projects in both English and French, ranging from children’s programming to socially driven documentaries. Her directing credits include the short docs Last Call Indien and Ra’satste, the TV series Mouki and Pour toi Flora, and the feature film Le dep.

Writer

Sonia Bonspille Boileau (Mohawk)

Cast

Carmen Moore (Wet'suwet'en), Lake Kahentawaks Delisle (Mohawk), McKenzie Deer Robinson (Mohawk)

Producer

Jason Brennan (Anishinaabe)

Genre

Drama

Interests

BIPOC Stories, Discrimination, Family Relationships, Female Filmmaker, Indigenous Filmmaker, Social Justice & Politics, Strong Female Leads

Original Languages

English, Other Language

Canadian Distributor

Nish Media

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SG̲aawaay Ḵ’uuna (Edge of the Knife)

Directors Gwaai Edenshaw (Haida), Helen Haig-Brown (Tsilhqot'in)
Year 2018
Run Time 100min
Genre Action/Adventure, Drama

Set in the Haida Gwaii region in the 19th century, Edge of the Knife (SG̲aawaay Ḵ'uuna in Haida) adapts a classic Haida folk tale of a man left for dead in the forest who becomes the Gaagiid/Gaagiixiid, or “the Wildman”. After an accident where he is separated from his family, Adiits'ii (York) wanders through the forest becoming driven mad by both natural and supernatural forces. As his loved ones, including best friend Kwa (Russ), set out to capture and cure him, Adiits’ii grows increasingly feral.

The first feature film made entirely in the critically endangered Haida language - fluently spoken by fewer than 20 people - the film is a spellbinding and mythical tale of pride, tragedy and love, set against the stunning backdrop of Canada’s Pacific northwest.

Made with a Haida cast and in collaboration with the Haida Council, this compelling film proves that cinema can be at once a powerful vessel for storytelling and a profound act of Indigenous language and culture revitalization.

Directors

Gwaai Edenshaw (Haida), Helen Haig-Brown (Tsilhqot'in)

Writers

Gwaai Edenshaw (Haida), Jaalen Edenshaw (Haida), Graham Richard, Leonie Sandercock

Cast

Curtis Brown, Diane Brown, Greg Brown, Tyler York (Haida), Sphenia Jones (Haida)

Producer

Jonathan Frantz

Genres

Action/Adventure, Drama

Interests

BIPOC Stories, Indigenous Filmmaker

Original Language

Other Language

Language Versions

EN CC, EN Subtitles, FR Subtitles

Canadian Distributor

Isuma Distribution International

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Our People Will Be Healed

Director Alanis Obomsawin (Abenaki)
Year 2017
Run Time 97min
Genre Documentary

Master documentarian Alanis Obomsawin’s 50th film reveals how a Cree community in Manitoba has been enriched through the power of education. The students at a local school for the Norway House Cree Nation discuss their aspirations for the future and reflect on the fact that they are feeling more hopeful and optimistic than previous generations.

By discussing the effects of intergenerational trauma, substance abuse and many other issues facing Indigenous communities, and by learning about their own history and culture, the students are able to undergo a process of collective healing and ensure that growing up doesn’t mean leaving one’s roots behind.

This inspiring doc shows that the strength of the community comes from the people within it, and provides a strong model for prosperity and renewal.

Our People Will Be Healed breathes with hope for the future.” – Pat Mullen, POV Magazine

Director

Alanis Obomsawin (Abenaki)

Legendary Abenaki filmmaker Obomsawin has made over 50 documentaries on issues affecting Indigenous peoples in Canada, including Kanehsatake: 270 Years of Resistance, Trick or Treaty?, Is the Crown at War with Us?, Our People Will Be Healed and Jordan River Anderson, The Messenger. Her most recent film is the short documentary Honour to Senator Murray Sinclair. Next, she is set to appear in an episode of Marie Clements’ Bones of Crows: The Series.

Writer

Alanis Obomsawin (Abenaki)

Producer

Alanis Obomsawin (Abenaki)

Genre

Documentary

Interests

BIPOC Stories, Female Filmmaker, History, Indigenous Filmmaker, Social Justice & Politics

Original Language

English

Language Version

EN CC

Canadian Distributor

National Film Board (NFB)

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Night Raiders

Director Danis Goulet (Cree/Métis)
Year 2021
Run Time 101min
Genre Action/Adventure, Drama, Sci-Fi/Fantasy

A compelling and propulsive dystopian thriller, Night Raiders follows Niska (Elle-Máijá Tailfeathers), a Cree mother, as she travels across a war-torn Turtle Island (North America) in a desperate attempt to save her daughter from a forced re-education camp. Niska joins forces with a group of underground resistance fighters seeking to free their children and save their future.

Anchored by an incredible lead performance from Tailfeathers along with a stellar supporting cast, this powerful and heartfelt debut feature from Danis Goulet premiered at TIFF in 2021 and was nominated for Best Canadian Film by the Toronto Critics’ Association.

Night Raiders should become the most talked-about Canadian film of the year. And for good reason.” – Barry Hertz, The Globe and Mail

Director

Danis Goulet (Cree/Métis)

Danis Goulet is an award-winning Cree/Métis filmmaker from La Ronge, SK, now based in Toronto. Her films have screened at festivals worldwide including Sundance, Berlinale, TIFF, and MoMA. She is a former programmer and current board member for TIFF, and was the former Director of the imagineNATIVE Film+Media Arts Festival. Her latest projects include the TV series Reservation Dogs, and the upcoming feature film Ivy

Writer

Danis Goulet (Cree/Métis)

Cast

Elle-Máijá Tailfeathers (Blackfoot/Sámi), Brooklyn Letexier-Hart (Cree/Métis), Alex Tarrant (Māori-Niuean-Samoan), Shaun Sipos, Amanda Plummer

Producers

Taika Waititi (Te Whānau-ā-Apanui), Paul Barkin, Tara Woodbury, Ainsley Gardiner (Ngāti Awa/Te Whānau-a-Apanui/Ngāti  Pikiao/Whakatōhea), Georgina Allison Conder

Genres

Action/Adventure, Drama, Sci-Fi/Fantasy

Interests

BIPOC Stories, Family Relationships, Female Filmmaker, Indigenous Filmmaker, Social Justice & Politics, Strong Female Leads

Original Languages

English, Other Language

Language Versions

EN CC, FR Dub, FR Subtitles, Other CC

Canadian Distributor

Elevation Pictures

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The Incredible 25th Year of Mitzi Bearclaw

Director Shelley Niro (Kanien'kehaka)
Year 2019
Run Time 96min
Genre Comedy
When Mitzi Bearclaw (Angeline) turns 25, it’s time to start making big decisions for the future. Her dream to design cool hats is put on hold when she chooses to move from the city back to her isolated reserve to look after her sick mother.

With the reserve bully (Supernault) constantly at her heels and an old flame (Kapashesit) suddenly back in her life, she is grateful that her cousin (Martin) is there to help her in the fight to stay positive under trying circumstances. With a lot of laughs along the way, Mitzi embarks on a quest to get her family back on the right track!

Director

Shelley Niro (Kanien'kehaka)

Writer

Shelley Niro (Kanien'kehaka)

Cast

MorningStar Angeline (Navajo/Shoshone/Chippewa Cree/Blackfoot), Gary Farmer (Cayuga), Roseanne Supernault (Cree/Métis), Gail Maurice (Cree/Métis), Ajuawak Kapashesit (Ojibway/Cree)

Producers

Amos Adetuyi, Floyd Kane, Shelley Niro (Kanien'kehaka)

Genre

Comedy

Interests

BIPOC Stories, Female Filmmaker, Indigenous Filmmaker

Original Languages

English, Other Language

Language Version

EN CC

Canadian Distributor

LevelFILM

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Angry Inuk

Director Alethea Arnaquq-Baril (Inuk)
Year 2016
Run Time 85min
Genre Documentary
We all know about the terrible “brutality” of the Arctic seal hunt — or do we? Turns out there are other sides to this story: it's the story of families that need to be fed, the story of a hunting practice that began centuries ago and the story of a tradition that is central to the economy and food security of Inuit communities in the Canadian Arctic. Angry Inuk contains a story that’s over 4,000 years old.

The seal hunt is not exactly a laughing matter, but humour and technical savvy go a long way to debunk certain claims. Wryly tackling both misinformation and aggressive appeals to emotion, Inuk filmmaker Arnaquq-Baril equips herself and her community with the powers of social media — and yes, #sealfies — to reframe a controversial topic as a cultural issue in this 2016 Audience Award–winning Hot Docs hit.

Angry Inuk delivers important information about an issue we tend to think we know everything about, and delivers a powerful emotional punch.”
—Susan G. Cole, NOW Magazine

Director

Alethea Arnaquq-Baril (Inuk)

Arnaquq-Baril is an award-winning Inuk filmmaker whose work has screened on CBC, APTN, and at festivals like Hot Docs, imagineNATIVE, TIFF and many others. Her credits include the award-winning doc Angry Inuk, Aviliaq, Inuit High Kick, Tunniit: Retracing the Lines of Inuit Tattoos and The Embargo Project. She also produced the award winning film The Grizzlies, the 2022 film Slash/Back, and co-founded the Inuit production company Red Marrow Media. She is currently producing the documentary Twice Colonized.

 

Writer

Alethea Arnaquq-Baril (Inuk)

Producers

Alethea Arnaquq-Baril (Inuk), Bonnie Thompson

Genre

Documentary

Interests

BIPOC Stories, Environment, ESL, Female Filmmaker, History, Indigenous Filmmaker, Social Justice & Politics, Strong Female Leads

Original Languages

English, Inuktitut

Language Versions

EN CC, FR CC

Canadian Distributor

National Film Board (NFB)